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・ Fabian Lamotte
・ Fabian Lenz
・ Fabian Lienhard
・ Fabian Lustenberger
・ Fabian Malbon
・ Fabian Manning
・ Fabian Marcaccio
・ Fabian Marley
・ Fabian McCarthy
・ Fabian Michaels
・ Fabian Monds
・ Fabian Montabell
・ Fabian Msimang
・ Fabian Månsson
・ Fabian Müller
Fabian Müller (composer)
・ Fabian Nicieza
・ Fabian Norberg
・ Fabian Núñez
・ Fabian O'Dea
・ Fabian Oefner
・ Fabian of the Yard
・ Fabian Osuji
・ Fabian Pascal
・ Fabian Pawela
・ Fabian Perez
・ Fabian Petersen
・ Fabian Picardo
・ Fabian Posch
・ Fabian Reese


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Fabian Müller (composer) : ウィキペディア英語版
Fabian Müller (composer)
Fabian Müller (
*12 February 1964 in Zurich) is a Swiss composer.
==Biography==
Fabian Müller is one of the leading Swiss composers of his generation. He first studied the cello with Claude Starck at the Zurich Conservatory, but then increasingly dedicated his energies to composition. He studied composition with Josef Haselbach at the Zurich Conservatory. After completing his studies, he spent four summers at the courses of the Aspen Music Festival (Colorado). While there, he studied with Jacob Druckman, Bernard Rands and George Tsontakis. In 1996, Müller won the composition prize at the Aspen Festival (the Jacob Druckman Award for Orchestral Composition).
He received decisive encouragement from David Zinman, who made a recording with the Philharmonia Orchestra, London, including "Nachtgesänge" with Swedish mezzo-soprano Malena Ernman, the Cello Concerto (1999), played by Müller's wife, the Taiwanese cellist (Pi-Chin Chien ) and two further orchestral works.
Fabian Müller’s works are performed internationally by renowned orchestras and ensembles. His work catalogue to date comprises more than twenty orchestral works, some of them with soloists, many chamber music works, and one full-length stage work. In addition to his activities as a composer, Fabian Müller was artistic director of the International Music Festival Lenzburgiade in Switzerland from 2009-2013 and he is very interested in ethnomusicology. He spent ten years (1991 to 2002) preparing the publication of the (Hanny Christen Collection ), a ten-volume anthology of folk music with over 10‘000 tunes from the 19th Century, which initiated a new era for the traditional music of his country.

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